House of German Art Renovation Draws Jews Ire

Discussion in 'Burke's Bastion' started by Georg Schoenerer, Jan 1, 2017.

  1. Georg Schoenerer Der Judenkenner

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    David Chipperfield’s Nazi-Era Renovation Plan of Munich’s Haus der Kunst Sparks Outrage

    The architect wants to revert the museum to its original fascist design.

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    Star architect David Chipperfield’s €78 million ($83.7 million) renovation plan to revert Munich’s Haus der Kunst to its original Nazi-era state has provoked outrage amongst Jewish groups and locals.

    Originally called “House of German Art,” the museum was opened by Adolf Hitler in 1937 to promote the National Socialist’s perception of art, becoming symbolic of the persecution of so-called “degenerate” artists during Nazi Germany.

    The museum has made a concerted effort through the years to challenge its sinister past with a diverse and multifaceted program and has established itself as one of the most important institutions in Germany. However Chipperfield’s renovation plan has been denounced as a step backwards from the progress that the museum has made.

    Chipperfield plans to restore the exterior of the building and the surrounding grounds to the original Nazi-era state. A key element of the plan includes the removal of a postwar line of trees from the front of the entrance. The removal of the greenery would allow an unobstructed view of the monumental architecture with its 22 prominent columns and wide staircase.

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    The architect’s office called the design “visible and transparent,” and Bavarian culture minister Ludwig Spaenle said the design “reveals the past of the building” and promotes a platform for dialogue around the institution which is “highly charged with history.”

    Indeed, renderings of Chipperfield’s design proposal look almost identical to photos of the building from the Nazi era, albeit without the prominent swastika flag.

    Charlotte Knobloch, president of the Israelitische Kultusgemeinde (Israelite Cultural Community) in Munich sharply criticized the plans. “To think about reconstructing Nazi architecture is incomprehensible to me” told Rundschau, and criticized Bavarian culture minister Spaenle for supporting the architect’s proposal. “I consider this backward-looking design based on the history of Nazi terror as history forgetting,” she said. “It would be a devastating signal to recognize or even to glorify old Nazi buildings.” However Knobloch added that she would be open “for any design which is directed to the future.”
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  2. The Bobster Forum Veteran

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    Hey Charlotte, I hear the "death camps" have plenty of vacancies.
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  3. Prima Morte Saltine-American

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    I bet if they put a Star of David™ smack in the middle of it, they wouldn't complain as much.

    They're going to have to put an armed guard around it to protect it from "hate crimes." I suggest period-correct uniforms, something in basic black, perhaps?
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  4. Georg Schoenerer Der Judenkenner

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    Yes, jews like it as it is now, chock full of degenerate art and note in the top photo the list of Yiddish words in yellow right along the top of the edifice:

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    This is jewish "art," a "Yiddish installation" that mocks and deprecates the building, the city, the entire continent.


    (((They))) baldly admit that the work is meant to slap the face of Germans, to create "tension" and "provoke."

    Typical zhid defiance: rubbing noses in their shit for eternity.

    Here's the list of zhidioms in English:

    KIBBITZER, a wise guy
    KVETCHER, a chronic complainer
    NUDNICK, a pain
    NEBBISH, a sad sack
    NUDZH, a pesterer
    MESHUGENER, a crackpot
    ALTER KOCKER, a crotchety old man
    PISHER, an immature brat
    PLOSHER, a blowhard
    PLATKE-MACHER, a troublemaker

    Right outta Fips classic "Juden, stellen sich vor."

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  5. Georg Schoenerer Der Judenkenner

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    Not all the paintings and sculptures that Hitler approved of were rubbish, as the Pinakothek der Moderne museum in Munich demonstrates

    Just as eighty years ago, The House of German Art is housing an exhibition of politically correct art while contrasting that with a smaller exhibit of degenerate art.

    Only it's 2017, not 1937 and degenerate ain't what it used to be.

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    ‘The Four Elements’, before 1937, by Adolf Ziegler

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    "Massacre in Korea' 1951, Pablo Picasso

    To further underline the point, this German article explains the reactions to a recently added "cabinet display" at the Pinakothek der Moderne where modern and "nazi" art are juxtaposed with references to Ziegler's "clean pornography," calling him "Master of the Pubic Hair."

    The article actually realizes its "poison victory over nazi art."


    It seems to have backfired: NS-art is dangerous in quantity, like propaganda or the truth, but when Modern and National Socialist are shown side-by-side and idiot might not figure it out:

    [IMG] Der Aufsteig, 1929, Otto Freundlich


    [IMG] Zwei Menschen, 1941, Joseph Thorak
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